IMAGES OF BIRDS IN THE ONOMATOPOEIA IMITATIONS AND TUNES OF THE YUKAGHIRS

Альманах
Key words
Musical folklore, Yukaghir, Oduls, Vaduls, geo-cultural space, sound landscape, intonation and acoustic culture, onomatopoeia, sound images of birds and animals, archaic and traditional musical culture
Author
YURIY SHEYKIN, TAT’YANA IGNAT’EVA
About the Author
Sheykin Y.: e-mail: kaikov@newmail.ru
Tel.: +7 (4112) 34-44-60
4, Ordzhonikidze str., Yakutsk, 677000, Republic of Sakha (Yakutiya), Russian Federation
Full Professor (Arts); professor, head of the department of Art History, Arctic State Institute for
Culture and Arts
Ignat’eva T.: e-mail: kaikov@newmail.ru
Tel.: +7 (4112) 34-44-60
4, Ordzhonikidze str., Yakutsk, 677000, Republic of Sakha (Yakutiya), Russian Federation
Docent, department of Art History, Arctic State Institute for Culture and Arts
Acknowledgements

This paper is financially supported by the grant of the Russian Science Foundation (project No. 14-38-00031) “Creation of Laboratory of Complex Geo-cultural Research of the Arctic”

Body

 This article identifies and describes onomatopoeia signals and onomatopoeia tunes, performed among different ethnic groups of the Yukaghir (e. g. Oduls, Vaduls), in the context of prosodic-acoustic native indigenous cultures of Northern Asia. Onomatopoeia signals are described from different points of view. The authors have considered their functioning in the traditional culture, in the context of a specific cultural-economic type, considering the surroun- ding geo-cultural space. The authors describe naturalistic hunting onomatopoeia signals versus onomatopoeia, accomplished with symbolic meaning in song genres and narratives, which depict images of birds. Sound images of articulation by several birds (duck, swan, crane, partridge etc) have formed musical basis for creation of hunting onomatopoeia signals, song melodies, singing improvisations, ritual dancing. This article is based on ethnographic and historical sources and field materials recorded by authors and other collectors in 1970–2000.

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