Института языка, литературы и истории Коми научного центра УрО РАН: Российская Федерация, Республика Коми, 167982, г. Сыктывкар, ул. Коммунистическая, д.26; тел.: +7 (8212) 20-17-02;
e-mail: krasheninnikova@rambler.ru
Сорокина С.П. — кандидат филологических наук, старший научный сотрудник отдела фольклора Института мировой литературы им. А.М. Горького РАН: Российская Федерация, 121069,
г. Москва, ул. Поварская, д.25а; тел.: +7 (495) 690–50–30; e-mail: sorokinasp@mail.ru
This paper is financially supported by the joint grant of the Russian Fund for Humanities and the Government of Komi Republic reg. No. 14–14–11002 а (р) “Collection of Manuscript Folklore Materials of the National Museum of Komi Republic: Creation of Catalogue and Guidelines for the Folklore Collection”. We wish to thank the scientific amanuensis of the National Museum of Komi Republic, dedicated local historian Mrs. Valentina A. Sova for her assistance in searching information about N. A. Terent’ev and PhD Kirill V. Istomin, senior researcher of the Komi Scientific Center for his helpful advice.
Folklore drama “Tsar Maksimilian” was widely spread in Russia in the end of the 19th — the beginning of the 20th century. But recording of textual materials on folk theatre was not regular. So we have not too many texts of “Tsar Maksimilian”. In aspect of recordings, this drama is in favorable situation at the European North of Russia, because collectors have recorded folk drama specimens there repeatedly, in the middle of the 20th century even purposefully. But we haven’t found evidences of existence of the drama at the basin of Pechora the river. Revelation of folklorists from Syktyvkar let us to affirm that drama has been performed there. The text was discovered in archive of the Komi Republic National Museum from the collection of manuscript folklore materials, recorded in 1910s — 1930s from Komi and Russian residents of Komi Republic and Komi-Permyatskiy autonomous region. Drama was recorded by an amateur collector N. A. Terent’ev. Obviously it was such an interesting phenomenon of local culture, that the collector, who had observed the performance, decided to write it down, as he has admitted, “from his own memory”. So this publication introduces one more variant of folklore drama “Tsar Maksimilian” into scholarly practice. Text is accompanied with a foreword and comments.
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